“A one-woman contemporary-classical commissioning machine” (Pitchfork), violist Nadia Sirota is best known for her singular sound and expressive execution, coaxing works and collaborations from the likes of Nico Muhly, Daníel Bjarnason, Valgeir Sigurðsson, Judd Greenstein, Marcos Balter, and Missy Mazzoli. Her debut album First Things First (New Amsterdam Records) was named a record of the year by the New York Times, and her follow-up Baroque (Bedroom Community and New Amsterdam) has been called “beautiful music of a higher order than anything else you will hear this year” by PopMatters.
Nadia is a member of yMusic, Alarm Will Sound, and ACME (the American Contemporary Music Ensemble), and and has lent her sound to recording and concert projects by such artists and songwriters as Grizzly Bear, Jónsi and Arcade Fire. In 2013 she won Southern Methodist University’s 2013 Meadows Prize, awarded to pioneering artists and scholars with an emerging international profile. She received her undergraduate and Master’s degrees from The Juilliard School, where she performed as co-founder of the AXIOM ensemble, initiated the Castleman/Amory/Huang studio’s New Music Project, and created the Juilliard Plays Juilliard program for student composers and performers. After winning the top prize in Juilliard’s 2005 concerto competition, Nadia performed Hindemith’s Der Schwanendreher with conductor Marin Alsop and the Juilliard Orchestra in Alice Tully Hall. As a chamber musician, Nadia has collaborated with such artists as Joseph Kalichstein, Itzhak Perlman, and the Silk Road Ensemble, as well as with members of Kronos Quaret, the Chiara Quartet, and the Peabody Trio. In the fall of 2007, Nadia joined the faculty of the Manhattan School of Music for its new Masters Program in Contemporary Music Performance.